Meisner Technique teacher Bill Alderson teaching acting class in Los Angeles

Meisner Technique teacher Bill Alderson


WILLIAM ALDERSON

William Alderson acting class los angeles

William Alderson

Being an actor is like a religious calling because you have been given the ability to influence humanity.” - Bill

William Alderson was trained as an actor and teacher by Sanford Meisner and worked as Mr. Meisner’s principal assistant and Associate Director at the Neighborhood Playhouse School of the Theatre in New York City for over twenty years. He made his directorial debut in 1975 with William Inge’s “The Disposal” at the Jan Hus Theatre in New York City. Mr. Alderson has been training actors for more than 30 years. The goal of any teacher is to bring the actor securely back to himself. This is the design of the Meisner Technique, which is based on “the reality of doing.” In addition to teaching, Mr. Alderson has directed a variety of theatre productions in New York, and worked closely with playwright Horton Foote. He directed Foote’s “The Traveling Lady” and “Lily Dale” at the Samuel Beckett Theatre in New York, and appeared in Foote’s well-received “The Roads to Home” with Jean Stapleton.  Mr. Alderson is a member of the Director’s Unit of the Actor’s Studio and has appeared on and off-broadway, as well as in film and television. In 1993, Mr. Alderson opened the William Alderson Acting Studio in Los Angeles and subsequently founded the River Street Theatre.

 

 

MEISNER TECHNIQUE

Sanford Meisner technique acting class los angeles

Sanford Meisner

 

Sanford Meisner studied as a pianist at the Damrash Institute of Music, now the Juilliard School, before making his way into the theater as an actor, director and innovative teacher. Disillusioned with popular acting techniques, he began teaching what he called an "American approach" at the Neighborhood Playhouse in New York in 1935. A year later, he became the school's director. The "Meisner technique," as it became known, stemmed from his disenchantment with other popular techniques, including the "external" school of British theater, Russian theater's so called "internal" technique and the "method" approach. It focused on actors becoming aware of their emotions through daydreaming and imagination. "Actors are not guinea pigs to be manipulated, dissected, let alone in a purely negative way," Meisner wrote. Arthur Miller said he could tell Meisner-trained actors, because they were honest and simple and don't lay on complications that aren't necessary. "It was a freer way of working and it was very personal." Mr. Meisner was an original member of the Group Theater of the 1930's, which produced acting teachers such as Lee Strasberg, Stella Adler and Robert Lewis. His own students included actors Gregory Peck, Grace Kelly, Robert Duvall, Peter Falk, Lee Grant, Diane Keaton, and Joanne Woodward; directors Sidney Lumet, Sydney Pollack and Vivian Matalon and the playwright David Mamet. Meisner's movie credits include "The Story on Page One," "Tender is the Night," and "Mikey and Nicky." His last performance was as a guest on the NBC series "ER," at age 90.